Since the early 2000s, Maria Hassabi has carved a unique choreographic practice that concentrates on stillness and the in-betweenness of bodies in motion. Considering conventions, hierarchies and codes common in theatres, museums, and public spaces, her acclaimed works always reflect the given context of their presentation and are developed in dialogue with a site's unique architecture. Her live installations reformat the principles of a theatrical performance into an exhibition that spans days, weeks, or months, adapting their duration to the opening hours of the venue. At the centre of these works, stillness and deceleration are utilized as both technique and subject, as the performing body oscillates between dance and sculpture, subject and object, live body and still image. The setup of the work allows visitors to keep to their usual behaviour within institutions while giving them time to consider the live bodies both as physical entities and still image embedded with multiple references.