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40 years of Super Mario Bros.: reminiscing about our first time with the iconic plumber
by Rainer Etzweiler
3D platformers: a journey back in time
23.4.2024
Translation: Elicia Payne
3D platformers used to be the flagship title of every console. Today, this privilege only belongs to Super Mario. Why is that?
No matter what you were playing, the 90s were dominated by 3D platformers and their cute or super cheeky characters. But Jump’n’run games in three-dimensional worlds have long been forgotten. The former figureheads of gaming and their mascots no longer stand a chance against today’s AAA top dogs. You’ll still find what you’re looking for in the indie sector and remasters. However, new, big-budget titles have become a rarity.
To understand the reasons behind this, we need to go back in time.
The first wave
It’s 1990, when the first 3D platformer awakes from its polygon slumber. Alpha Waves looks basic compared to later genre offshoots. Nevertheless, you carry out the typical activities of the genre. As a three-dimensional character, you jump around on platforms in an equally three-dimensional environment until you reach the end of a level. That pretty much sums up the genre too.
Mario ensures the breakthrough
Nintendo gives Mario a new arsenal of moves. They’re so accurate and feel great. As in the 2D representatives of the genre, you jump around a lot, but now the jumps vary with the triple, backwards and sideways jump. A stomp attack and three power-ups, which you can unlock during the course of the game, complete the plumber’s repertoire.
Just the camera isn’t the best. You can move it using the C buttons on the Nintendo 64 controller, but it’s not precise or satisfying. A problem that will also plague later games.
The mascot era
It’s impressive what Super Mario 64 did for an entire genre and how it was ahead of its time. Even 30 years later, the game welcomes an active community, be it in the form of speedruns or the modding scene. Other 3D platformers need a moment before they catch up with the genre leader. But soon they’ll also adopt Mario’s control system and incorporate hub worlds into their games.
When I think of 3D platformers for the first PlayStation, it strikes me how the camera controls of many representatives lag behind Super Mario 64. Although the Nintendo game isn’t a prime example of intuitive camera control either. In various 3D platformers, I have to laboriously turn the camera using the L and R buttons on the controller. In other games it follows me automatically. This is pleasant until a jerky turn causes me to lose control and jump into the void.
Despite commercial success, the company heralded the slow decline of the genre.
While Banjo Kazooie successfully continues the path of the plumber on Nintendo 64, the same can’t be said of its successor Banjo Tooie. The levels are massively larger, the movesets of the bear and bird grow repeatedly and more mini-games provide additional variety. Sounds really good, doesn’t it? I’m afraid not.
A problem begins that’ll also plague later open-world games – large, empty worlds. Too much collecting stuff also makes playing the game feel like work. The compact magic of titles like Super Mario 64 and Banjo Kazooie is lost.
By the way, Banjo Kazooie isn’t the first game that Rareware developed for Nintendo. With Donkey Kong Country for the SNES, the British developer and studio proves that it also knows how to deal with existing Nintendo brands. Unfortunately, this doesn’t apply to the 3D version of the gorilla.
Rareware reaches a low point with Donkey Kong 64. Players are once again overwhelmed with gigantic levels and too much collecting. You can assemble a total of 3821 collectibles. To make this as tedious as possible, an actually cool function becomes a pain. The collectibles are divided into five characters that you have to switch back and forth between. Who came up with such nonsense?
At the same time, most fans are put off by the many cute protagonists with big googly eyes. The mascots were overused. Rareware is aware of this development and radically changes the development of the former Conker: Twelve Tales after the criticism.
Conker: Twelve Tales was originally supposed to be a 3D platformer like Banjo Kazooie – complete with collectibles and cute characters. The result is Conker’s Bad Fur Day. It not only changes the genre, but also makes fun of previous conventions. The characters are rude and oversexualized, while collecting is kept to a minimum.
The market collapses
Towards the end of the 1990s, the 3D platformer crisis begins. Empty game worlds aren’t the only reason for this. Super Mario and co. are so successful that others also want a slice of the cake. So a large number of boring games are created because they lack quality. Players are becoming increasingly weary of the genre. As a result, good 3D platformers are becoming even rarer.
Evil voices compare Donkey Kong 64 with E.T. for the Atari. It’s said to have single-handedly caused the decline of the entire video game industry. But as with E.T., things are more complicated with Donkey Kong 64. The two games were just the tipping point. The oversaturation of mediocre games was a fault of the entire industry.
Technology becomes a stumbling block
Despite Donkey Kong 64, the genre doesn’t die out overnight. With Sly Cooper, Jak and Daxter and Ratchet & Clank, three game series landed on the PlayStation 2 that became fan favourites and remained so 20 years later. In this console generation, however, the next problem of the genre becomes apparent – the technology.
3D platformers aren’t only bundles of gaming fun, but also show what the consoles have to offer. The three-dimensional worlds that you can freely explore are among the most impressive on the PS2 and N64. However, the development of technology also enables more realistic-looking worlds such as those in GTA 3.
Video games make a huge technological leap in a short space of time. A large part of the public is turning its back on brightly coloured comic games such as Banjo Kazooie because the technology is now finding its way into adult games too. Gamers of the sixth console generation prefer to spend their money on other games than on 3D platformers. This means time-consuming and costly development is diverted to more lucrative projects.
Revival in the indie sector and revamped classics
With the remakes of the first Crash and Spyro trilogies, even former top franchises are showing signs of life. Both Crash Bandicoot N. Sane Trilogy and Spyro Reignited Trilogy sold over ten million copies each. Even Banjo made an unexpected comeback – albeit only as part of the Nintendo 64 expansion pack for Switch Online.
Even if 3D platformers have become less common in the AAA sector, they’re not completely extinct. Fans who played the games as children have now grown up and can develop their own 3D platformers. Perhaps these creations will finally awaken the genre from its hibernation.
What’s your absolute favourite 3D platformer? Let us know in the comments. Mine is Bugs Bunny & Taz: In a race against time for PS1. It’s likely nobody knows it any more, but I still play it regularly today._
Cassie Mammone
Freelance Editor
cassie.mammone.freelance@gmail.comI wrote my first text about video games when I was eight years old. I haven't been able to stop since. The rest of my time is spent on my love for 2D husbandos, monsters, my cats and sport.
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